Winners: SUGi x NAVA Photography Contest - 2023
Thank you to everyone who submitted.
We received an overwhelming amount of submissions, so many of which really embodied the contest theme: “Rewild your Eyes. Show us the ways you connect to Nature.”.
The jury certainly had a tough time deciding, but felt that the selected winning images best showed us how to bring Nature closer. In the words of one of the jurors: “The winning entries handled the idea of Nature & rewilding, how it intrigues, encompasses and conquers, but they also asked you to look, and look again.”
Congratulations to the winners!
Grand Prize - Winner:
Ivelina Berova
Mother Earth
In her project, “Mother Earth”, Berova reflects on our connections to nature and the inner self. Berova’s work explores issues such as deforestation, pollution, climate change, and the consequences of human activity in nature. She writes, “Creating conceptual and surreal works with respect for nature is my alternative way of experiencing nature and our relationship with it.”
People’s Choice - 1st Prize:
Frida Yolotzin
Atlantic flying fish
This beautiful fishes are generally found in surface waters near the coast, they are capable of leaping out of the water and gliding for long distances above the surface. They feed on plankton, so we end up meeting each other regularly.
People’s Choice - 2nd Prize:
Chloé Milos Azzopardi
Écosystèmes
“Écosystèmes” is the last part of the ongoing series “Les formes qu’ils habitent en temps de crise”. It’s a futuristic fable in which identities become porous and metamorphoses possible, a research about how we can imagine new interspecies relationships in a post-capitalocene era.
People & Nature: 1st Prize
Javier Arcenillas
MARIPOSARIO
Arcenillas’s photography explores the helplessness and fragility of the individual in today’s society. He uses the imaginary as a basis for visual reflection.
People & Nature: 2nd Prize
Zuzana Pustaiova
Trip to the Mountains 5
Pustaiova’s project “Trip to the Mountains” is a simple story about a trip her grandparents took to the mountains. They have never had neither money nor the energy for traveling, so Pustaiova brought this “trip” directly to their house. In this series, Pustaiova’s grandparents went camping, hiking, and relaxing without leaving their comfort zone.
Urban Wildlife: 1st Prize
Scifier
Alien
Colorado potato beetle larvae on a leaf (Leptinotarsa decemlineata). Irina Petrova Adamatzky specializes in wildlife micro-photography and science fiction inspired installations organically integrating living and artificial entities.
Urban Wildlife: 2nd Prize
Daniela Balestrin
Your gaze is green .024
Visual artist and photographer, Daniela Balestrin’s work involves two spaces: the intimate space, where imagination and feelings circulate, and the external space of the concrete world. She uses analog photography as a tool, seeing
in it a device that materially communes with the life she observes and files,
and also as a living organism, which often acts in co-authorship with the artist through its mechanical and chemical processes.
Landscape: 1st Prize
Yevhen Samuchenko
Foggy morning on South Buh river
Focusing primarily on the nature, Samuchenko’s work is a study in the subtlety and constantly shifting relationship between man and nature. With his works, Samuchenko shows the fragile beauty of our planet and the possibility of dialogue in the interaction of man with nature.
Landscape: 2nd Prize
Babak Kazemi
005
Kazemi is a self-taught photographer from Iran. In his youth, he was witnessed 8 years of war between Iran and Iraq which influenced his work greatly. Kazemi’s photography is inspired from his life. His work explores happiness and tragedy, war and peace, and the society and the individual.
Underwater: 1st Prize
W. Goodwin
Eye Sea U. Rewild Your Eyes on an Endangered Reef Project
Caribbean Reef Octopus (Octopus briareus). Octopi are often elusive to photograph during the day. This one surprised the artist by remaining in sight at the back of its lair while the camera did its job.
Underwater: 2nd Prize
Taisir Mahdi
24
Portugal is distinguished by its location on the Atlantic Ocean, where all marine animals, such as fish, sharks and other diverse fish, vary.
Wildlife: 1st Prize
Amish Chhagan
Peace
Growing up in Zambia, Chhagan had numerous opportunities to explore the flora and fauna of this region of Africa. He writes, “The serenity of these vast lands and the excitement of spotting wildlife often transpired within me; more so when I found photography (or when photography found me). There is a certain kind of empowerment I feel being able to capture wildlife in its element with the detail and frozen moment that a lens can apprehend.”
Wildlife: 2nd Prize
P. Yo
Shadow Hunter
A silhouette shot of an adult female Empusa fasciata... “My goal as a photographer is to make people more aware of the beauty that is all around us but often goes unnoticed”.
Climate: 1st Prize
Sutanta Aditya
The Haze Disaster
Manggala Agni and military personnel were seen extinguishing the fire hotspot from peatland fires which are plantation areas in Ogan Komering Ilir, Palembang, Sumatra island, Indonesia. Photo taken on August 23, 2019. El-Nino storms due to global warming have triggered the occurrence of catastrophic fires in peat land and forest areas on the Sumatra Island, Indonesia from 2014-2019.
Climate: 2nd Prize
Tash Sirroco
Lac Annecy January 2021
In January 2021, the Sirocco (a hot wind, often dusty or rainy, blowing from North Africa across the Mediterranean to southern Europe) traveled from the Sahara to France and spread a cloud of strange yellow sand in the city of Annecy. At the same time, the water level in the lake was overflowing. This picture represents exactly how we were feeling at this period: overwhelmed and lost in the fog with a disturbing horizon.
Conceptual: 1st Prize
Maria La Sangre
The power of the word
La Sangre playfully places a Hibiscus petal in her mouth, looking like a tongue. She writes that the image is “Self-portrait and magic ritual to empower my voice.”
Conceptual: 2nd Prize
Iana Zholud
Human Impact On The Environmen
There are no people in Iana Zholud’s collages. This is done intentionally to show nature, animals and aftermath
of the disaster caused by irresponsible human behavior.
